Tangents

I sometimes wonder why it is some people are able to be very focused on a particular area of weaving or a particular technique, and others, like myself, like to go off on tangents occasionally. I see myself primarily as a weaver, and have areas of weaving I focus on. But, I also enjoy cranking socks on an antique sock machine, do some spinning, a bit of felting, and some handknitting. For a long time now, dyeing has been on my radar.

While in the garage chopping kindling each morning, I've been noticing all the big canners, lined up on shelves, and looking forward to spring and summer, and getting more fleece washed. I'd also noticed a couple smaller pots I'd saved, thinking they might be useful for dyeing.

Earlier today, I was out emptying the ash bucket from the woodburner, and found an Amazon box at my doorstep. After quickly getting the fire started, I opened the package to find "Hand Dyeing Yarn and Fleece: Dip-Dyeing, Hand-Painting, Tie-Dyeing, and Other Creative Techniques" by Gail Callahan. I had placed a pre-publication order, so the arrival of this book was a happy surprise today.

This is not (yet) a review, but when I'm finished here I'm heading straight upstairs to sit and start looking through this new book. I have a number of dyeing books on my shelves, but this one appears to be a book I want to sit down and read cover to cover. I'll let you know, but from my brief glance, I'd say chances are good I'll be ordering dyes very soon. I already have ready-to-dye skeins and cones of sock yarns standing by, and let's not even think about how much (white) raw fleece is waiting to be processed and very possibly dyed.

Over the past four years or so, I've collected a few nice tapestry forks. Recently, two more were added to my little collection, one is double-ended (far right in photo), the other has metal tines (second from left) which I plan to use for tapestry techniques in weaving rag rugs. I'd been watching for one for some time now, and this one finally crossed my path.

There is a Schacht table-top tapestry loom (with A-frame stand) upstsairs, which I've enjoyed using, also an upright Glimakra "Sara" frame loom (taller than I am) that I'm looking forward to using someday. Both looms a good reason to collect tapestry forks!

Tangents,... in this case, new areas of fibers to learn more about and try. It's nice to have new horizons to look forward to.

Practice, Practice,...

It was 1981 when I took my first weaving class and bought my first loom. Until now, my weaving has always been with 22/2 cottolin, linen, 8/2 and 20/2 cotton, preferring weave structures like twill, huck, and satin. Currently, I am still in the early stages of weaving my first rag rug, and I'll be honest, rag rug weaving is taking some time to grow on me. Immediately after starting to weave this rug, I KNEW I preferred weaving with finer threads. But what can I say, I live in a rustic log home with plank floors that have been wanting rag rugs on them for a long, long time.

I have woven quite a few 14" to 16" wide table runners with 8/4 cotton rug warp and batik fabric for weft (above). For these, I cut the fabric 1.5" wide, then fold and press the fabric as if making double-fold bias tape, only it is not cut on the bias. Why go to all that trouble? Because the "rag" runners are made for display on tables, close to the viewer. I do not like the "hairy" look, and do not want all those little threads working their way out. These runners look very nice with tableware and exceptionally nice with pottery (below).



However, Joe, a good weaving friend of mine, has been urging me for a long time to give rag rug weaving a try. I've long been an admirer of Scandinavian design, and have quite a number of Swedish rag rug weaving books for inspiration. I enjoyed designing the stripe warp and choosing the rug warp colors. It is getting the weft into the shed and folding the weft it in half (when both sides are not equal in color) that I am not yet particularly adept at. I may be the slowest rag rug weaver around, but am trying to give this a fair chance.

This is my first 28" wide rag rug, 8/4 cotton rug warp, and cotton/poly sheets for weft. For the past couple years I've been haunting the local thrift shops for sheets, on the lookout for good solid colors, prints, and plaids that have COLOR and not mostly white with pastel flowers, though I have some of those, too. So I was excited recently to find a wine/blue/green plaid sheet with almost perfect colors in for my stripe rug warp.

After washing the fitted sheet (no flat sheet, perhaps another area weaver found it first?), it was time to "slice & dice," rotary cutting it into 2" strips, then sew them together, and wind onto a ski shuttle.

Last night, I wove a few rows of the plaid to see the color effects and it's looking as good as I'd hoped.



Like the green and white ticking stripe at the beginning of the rug, the colors in the plaid are coming randomly to the surface within each row, giving a nice mottled effect.


Depending on the quantity of strips (size of sheet), I'm dividing the number of strips in half or thirds (more if the sheet is queen or king size), depending on how often I want that color to appear in the rug. I had "mapped out" my colors/design on graph paper using colored pencils, but I've already changed it a bit so need to revise my plan before I go much further as I would like this rug to be balanced.

After taking about a month off from the studio I had hoped to finish this rug this week, but I fell on Tuesday, injuring my shoulder, so there has been a slight delay while I gave it the rest it needed. After weaving those few rows last night (the first weaving since falling), I went to bed and could not sleep for the pain. No weaving today, the heating pad will be my friend tonight!

The rag rugs need to be woven and I'm looking forward to seeing them on my floors! As with most things in life, I'll get better at rag rug weaving with more practice.

A Winter Break

Winter wreaths always give a "Welcome Home," both on the entry door (above) and garage doors (below).

Lately, I've been taking a winter break from my weaving studio. After having cranked socks right up to a couple days before Christmas, a daughter and friend visiting, kids on school break and their friends here occasionally, I needed some time off. No, I didn't go anywhere, just quiet winter days spent at home.

Then normal life came back, it was time to deal with school financial aid meeting at the high school, FAFSA forms, taxes, food pantry board meeting, community dinner meetings and the dinner two nights ago. Let's not forget, I'm supposed to be getting ready for a move, working my way through 40 years of stuff, only keeping what I want in my next home/studio.

I did get a pair of socks made for a gentleman who emailed me, and I've heard he is very pleased with them. Others who ordered socks for Christmas have also been happy with them, which is good for the cranker to hear!

At this point, I am more than ready to get back to my work in the studio, and have a long list of projects to do. Getting more done in the studio means more blog entries. I'm back working on the rug warp and looking forward to having them down on my floors. I'm quite sure the dog and the cats will appreciate that, too, as there are pine plank floors throughout the house which can be cool in winter.

Artistree needs/wants all new work by May, plus there are two, possibly three art shows I'm definitely planning to do. Warps are being planned. Cones of 8/2 and 20/2 cotton are waiting on the shelves; cottolin and cones of cotton/linen blend are always on hand. There are dozens of tubes of rug warp waiting to be woven into rugs, bags, and table runners.

The woodburner is warming the studio, music is on, the Ott light is in place, it's time to weave!

A New Year of Fibers!

Isn't it wonderful when you find people to talk fibers with? I've been corres-ponding with Michael, a WI weaver/knitter, with a recent interest in sock machines. I told him of the Midwest Crankers as well as a group that meets in Madison, he went to one of their crank-in Saturdays and decided he would like to save up for a sock machine. Michael asked if I would make a pair of socks, and before I could get them made, he had ordered a NZAK, and is now waiting for it to arrive.

Meanwhile I sent along two pairs of custom-made socks, the first in beige/gray/hunter green,...

...the second in three shades of gray. I'm told they fit! It's all been a fun way to begin a New Year of fibers at Shuttle Works Studio.

There are more socks needing to be made, weaving to be done, and warps to be made. I'm working on another sock order, I would like to have a rug done for Monday's weaving guild meeting, and the gallery needs all new socks (only 4 pairs left) and weaving. Plus, I have a number of "single" socks here, where I got carried away with cranking and cranked more rows than were needed for the size I was making. Now, just need to count rows/determine size, and make mates for them. Same yarn, same tension, so they should turn out the same size. I also have my drum carder and wool back and would love to do a little felting, too. Did I mention I'm knitting a scarf? Now, to see how much I can get done in the next few days!

Gifts from Afar

It's amazing, this year my "gifts" all came from "afar," from western WI, Oregon, and as far away as Australia.

Four days or so before Christmas, I found a slip in my mailbox telling me I had a package to pick up at the post office. I went over that afternoon, and found it was from Jill Lynch in Australia. Jill is a member of the Complex Weavers Double Harness Study Group that I chair. I stood in the post office wondering why? What was I forgetting?

Well what could I do, since there were no other customers, but open it up right there! Inside I found a beautiful card, thanking me for sending her a copy of "Damast," a book I had bought when I purchased a portion of weaver Nastche Milan's weaving library. I already had a copy of that booklet, but added it to my purchase knowing someday someone would come along to pass it along to. (Nastche, your copy is now with Jill in Australia!)

There were two "packages" in the box, and opening the first, I found a "Weavers Interest Group Calendar," with a page for each month and each page has two color photos of beautiful woven pieces by members of the group. By the way, Jill Lynch is on the cover, front row, far left. It's a wonderful idea for private weaving groups or guilds.

Opening the second "package" I found a beautiful handspun, handwoven twill scarf, woven by Barbara Sanders (in the group). It's a really lovely piece, and following instructions of the local postmaster (woman), I put it on and wore it for the rest of my afternoon out. It was a cold, cold day, and I don't think I really noticed, just felt wonderful wearing this beautiful gift from weavers in Australia. Thank you, Jill (and Barbara), I'll be thinking of you both everytime I wear it.

Earlier in December, LaVonne Stucky, who I know from the Tasha Tudor Yahoo group "Take Peace," wrote on Facebook that she was making needle-felted angels. I asked her if she would make a couple for me, and a few days later they were in my mailbox! Upon opening the package, they immediately were hung from the fireplace mantle in my weaving studio where I can admire them each time I'm working there.

The last day of the Fall Northwoods Art Tour, Mary Nysted stopped by. She had seen in my brochure that I have Glimakra looms, and wanted to inquire if I was interested in purchasing a small Toika loom she had from her former weaving business, which she closed in 1992, the year I moved up here. Oh yes, I was interested. We arranged that she would bring it when she would be in the area at Christmas.

On Tuesday, Dec. 29th, the loom arrived. It's a 27" Toika "Laila," has 6 shafts and 6 treadles, and is countermarche. Mary only used it a few times, and it's been in storage for the past 17 years or so, which accounts for the "new" look of the wood.

Since the loom had been in her car for a few days (out in the icy cold), and was moved into a dry house with a woodburner, I'm giving it a few days for the wood to acclimate. I can, however, straighten out the string heddles, tighten wing nuts, and in another four days or so, use a wood hammer to tighten up the pegs for more stability. I can also plan a first project and warp for this loom.

I think it will be a wonderful loom for sampling and for smaller projects. It's a nice addition to my weaving studio, and I just need to do a little rearranging tomorrow to make a place for it.

My other "Gift" this year was family, my children, all here at Christmas. This meant a lot to me as it may be the last time for awhile. Next year both daughters will be in college, and my son is talking about joining a branch of the military after graduation next June. They all mean so much to me, and are now growing up and going out into the world. I'm so proud of each of them, and the time is coming for them to make their own lives away from home. Letting go is difficult, but the goal was always for each of them to be independent, and to lead good lives.

But, I can't look back too often, I must look forward and begin to create a new life for myself. What do I want, where do I want to live, what other responsibilities do I have, where do I want to go with my weaving? All questions to quietly ponder on this New Year's Eve. Happy New Year, and may 2010 be all you hope it will be.

The Blur Called December

It's late afternoon, snow is falling, New Year's Eve is a few hours away, and I sit here wondering how December went by so quickly. Yet when looking back at photos, I can see where it sent.

I worked a couple days at Artistree Gallery, which had been dressed Northwoods Style for the holidays. Lots of wonderful art including fiber arts. I sat, Christmas music on, knitting a scarf and watching a number of cars go up the street with a Christmas tree tied to the roof, a most pleasant, homey sight.

On December 5th, Emilie and Anna were over to learn about wet-felting wool. They wanted to make some felted items to give as Christmas gifts. I sent them home with bags dyed wool and my drum carder to continue felting at home.

I did a lot of sock-cranking in December, right up until a couple days before Christmas as quite a number of people ordered socks to give as Christmas gifts.

I still have four pairs of socks to crank, socks not needed by Christmas. Now, with the New Year, it's time to restock Artistree Gallery with socks and weaving, and begin cranking again for next summer's art shows.

A Long Ago Weaver

A couple weeks before Thanksgiving, a post came in from the Weaving Sales Ads list. An old temple was for sale, and it had a name and date engraved on the underside, "A. Halvorsdatter, 1850." My fingers flew across the keyboard to get a reply sent off, yes, I was interested in purchasing it.


On my way to our monthly weaving guild meeting, I stopped at our mailbox and found a long package, the temple! It was about an hour's drive to get to Marcia's home, and I managed to wait until I got there to open the package.



There it was, 25 inches in length, with most of the original brads, though slightly bent. The pin, to push through the holes at desired size, was attached with green yarn. The temple will open to 41 inches, though to use it, the pin needs straightening.

My paternal grandparents came here from Norway, around 1918. My grandmother's name was Severina Simonsdatter. Hence my interest in a piece of weaving equipment that may have been owned/used by a young woman of Norwegian or Swedish descent. In Norwegian, "datter" means daughter.

How I would love to know who A. Halvorsdatter was. Where did she live, both here and very likely in the "old country?" What did she weave? Was she born in Norway or Sweden and brought this temple with her? You never know what weaving gift will appear in your mailbox, or your life. A small piece of A. Halvorsdatter now lives on in another weaver's home studio.

(Note: When I took the photo, I had neglected to turn one piece over so the pointed brads on each end were facing down; that has been corrected.)

I was away for several days, enjoying time with family members. Now? Back home in my weaving studio, enjoying the beginning of winter.